About Bharat Nivas and Sri Aurobindo Auditorium – Auroville

July 5, 2008 by Auroville

Another issue of AV Today -

In 1970, In the record of his meeting with The Mother, Prem wrote that “The Mother made a statement that this was the reason why She wanted the Indian Pavilion to be the first to be built, as India was the one country which had an unbroken spiritual heritage and one which could act as an example for the other pavilions to follow.”

The original design of Bharat Nivas was for an auditorium, a restaurant, a school of linguistics, a guest house and pavilions for the different states of India . The Mother wanted the Government of India to provide the funds for building the Pavilion. A grant of Rs 90 lakhs was received. Unfortunately, this money was not used for the purpose for which it was granted and the buildings that had begun – the auditorium, the restaurant and three circular state pavilions – remained unfinished.

Bharatanatyam in Auroville
AV Today describes Auroville’s first ever Festival of Dance on March 30th in the Sri Aurobindo Auditorium:

a wonderful evening inclusive of everything from classical Indian dances(???) to Spanish, jazz, ballet, hip-hop, Afro-funk and improvisational modern dance plus freestyle aerobics, all choreographed in Auroville, and performed by more than 15 groups – around 100 dancers!”

Since AV Today boldly ented this article with “Shiva himself, as Lord of the Dance, seemed to make His presence felt among us”, one would imagine that there were indeed wonderful Bharatanatyam dancers there. In reality, there was… 1: a Canadian student, who dances Bharatanatyam as well as an average Japanese chef can dance English ballet. Did it make Nataraja, the Lord of the Cosmic dance proud? Or did it make him turn his face away?

Was this event in the Pavilion of India indeed highlighting the spiritual values of the ancient Indian culture? Well, Sri Aurobindo warned against the events that can only excite the Vital, sub-rational humanity :

As to the performers, their experience seems well summed up by one of the participants: “We had the tremendous fun of working with our fellow performers towards a shared common goal, and the joy of achieving it after so many high energy practice sessions and so much fun and laughter. The sense of being a closely knit team and of succeeding together was, for those of us who had never done anything like it before, just fantastic, really euphoric, a memory to treasure all our lives. In fact I know from talking with others that we remained on a ‘high’ for days afterwards as a result of what we experienced.

Auroville: how some events in the Sri Aurobindo Auditorium follow Sri Aurobindo’s guidelines

July 1, 2008 by Auroville

We will look into if the dance events there have anything to do with Sri Aurobindo, Integral Yoga, and with Auroville’s ideals.

Sri Aurobindo’s letters

I do not quite see how Udayshankar is to be useful to the Ashram. The visits of celebrities are not the means by which the work of the Ashram can be helped. These are ideas that belong to the ordinary external consciousness in which the coming of famous So and So creates an exultation and a flutter.

5 October 1934

Udayshankar’s coming brought only the vital side with it and dancing in its vital side is a personal affair and cannot be part of Yoga. It would only raise the vital turn in the consciousness.
15 October 1934

Dance alone with rhythm and significance can express something of the occult or of the Divine as much as writing or poetry or art — why should it not and why should there be anything in it condemnable?
17 July 1933

To feel the vibration and develop from it the rhythm of the dance is the right way to create something true; the other way, to understand with the mind and work out with the mind only or mainly, is the mental way; it is laborious and difficult and has not the same spontaneous inspiration.
28 April 1932

Auroville

June 12, 2008 by Auroville

Auroville Auroville – classical Indian dance
Auroville
Auroville
Auroville